Search Results for "gard"

WOSS-FM, Gordon Peterson and Access to Information

This radio gig is not new to me. But there was a large gap between this show and my last efforts to do radio. Prior to Hearsay Culture, one needs to return to 1990, my senior year in high school when I was station manager of the very sadly defunct WOSS-FM. WOSS-FM, the “Voice of Ossining,” was the FCC-licensed radio station of my high school, Ossining High School in Ossining, New York. I hosted, among other programs, music shows when I lugged LPs in a plastic/pleather box to the high school and lugged them back home (uphill, but with shoes) when the show ended, and the bold and weekly “Inside the NHL,” where a buddy and I talked for one hour about the National Hockey League. I am sure that it was the only NHL-focused radio show on the dial in Westchester, and we were thrilled if one person called us (which happened rarely). Getting some really nice guys on the New York Rangers to record station identification spots at Rye Playland, where they practiced, was a real treat. Ossining is not a name that rolls off the tongue.

I also have fond memories of leafing through LPs and CDs that would come in from various artists. One such CD that came in during my senior year was Indio’s Big Harvest, including the single “Hard Sun.” If you’ve heard of Indio today, it may be because “Hard Sun” was redone by Eddie Vedder for the movie Into the Wild. Gordon Peterson, the man behind Indio, for reasons unclear and largely irrelevant to this post recorded this one album and has since apparently been out of the public spotlight. Big Harvest is a terrific album, full of excellent and insightful lyrics and tight musicianship. Reminiscent of Peter Gabriel and Sting, it remains one of my favorite albums of the 1980s. Indeed, “Hard Sun” actually turned me on to environmentalism, never a major focus of my attention but certainly on my radar screen afterwards.

Indio got little play on WOSS-FM (and not because I “borrowed” the copy for my “personal use,” thank you very much). So go out and buy it? Not easy. It’s out-of-print, although you can find copies for less than $100, usually, and sometimes much less if you find an auction at the right time.

My concern here is not for anyone with means to procure a second-hand copy by paying the premium due to its out-of-print status. And I’ll spare you a rant about labels, assuming that the label is even the reason for its unavailability (although presumably the lack of a perceived market for the CD has something to do with it). Rather, my concern is for the person without such means, who may wish to enjoy, grow from or be influenced by this album.

I am not going to recreate the various arguments made for and against piracy (that is, the illegal download) in such circumstances. But it is worth reminding ourselves that even in a day of rapid increases in the ability to share information, there remains information that is difficult to acquire. And if the larger public goal of information technology is to allow for greater and easier sharing of information, then even the comparatively trivial situation of the affordable availability of a valuable CD should be considered. This is not piracy on the scale necessary to allow for culture to spread into closed societies (as written about eloquently by former guest Balasz Bodo), but in order to address the question of the role of intellectual property law in preventing easy access to information (regardless of the information’s commercial value), one should consider the beleaguered music fan searching in vain for a clean and new copy of Big Harvest. Hmmm, a lot has been written in this area, but maybe that’s something to focus on more closely . . .

FacebooktwitterredditpinterestlinkedintumblrFacebooktwitterredditpinterestlinkedintumblr

Thanks to Audacity

Those of you who have listened to the last several shows have undoubtedly noticed the sound quality, or lack thereof. It has been frustrating dealing with this issue, but I am pleased to say that I have found the fix. After various experiments with the software that will go unnamed, I found my solution in downloading the free and open source Audacity. It’s amazing how free and liberating it is to use software where you literally hit one button (in this case, “record”) and all of your configuration issues are done. O simplicity!

Thanks for your patience during this time, and I think that you’ll find the sound quality of the most recent show (which I hope to post in the next week or so) a vast improvement on the last several.

As always, if you have any comments or suggestions regarding the shows, please email me at dave@hearsayculture.com.

FacebooktwitterredditpinterestlinkedintumblrFacebooktwitterredditpinterestlinkedintumblr

Victory in Golan v. Gonzalez

It’s old news by Internet (much less blog) standards, but to the extent that any listeners of Hearsay Culture were not aware, the Tenth Circuit Court of Appeals handed down a significant decision on September 4 invigorating the notion that the First Amendment should be part of the analysis when copyright law is altered. Look to the excellent blog posts by Profs. Larry Lessig and Chris Sprigman (the lead plaintiffs’ attorneys at CIS) regarding the decision, the background and its significance.

For those concerned about the challenges facing those seeking to invoke First Amendment protections in the general IP scheme, you’ll find much to bring you joy and hope in reading this decision (found attached to the above blog posts). Happy reading, and congrats to the plaintiffs, Larry, Chris and everyone who worked on the case!

FacebooktwitterredditpinterestlinkedintumblrFacebooktwitterredditpinterestlinkedintumblr

Fall Schedule

With the summer winding down and me getting ready to teach and do more writing, now is a good time to announce that I’m putting together the fall schedule of guests. I’m very excited at the range of topics that we’ll be discussing with great guests, and I’ve scheduled shows through early November.

Alas, however, there is one schedule modification. Up to now I’ve done shows through KZSU-FM’s “interim” periods, which this year starts on Monday, September 10 and runs through the end of the month. Because of increased duties (read: teaching two new classes and (with my wonderful wife) one seven-month old), I am foregoing new shows during the interim period. New shows will begin on October 3.

This means that you’ll have to get your fill of Hearsay Culture during that time by listening to past shows. For those of you who have already listened to all 48 posted shows, thanks much and I’d suggest listening to Harry Shearer’s “Le Show” weekly podcast as an excellent substitute during the interim (I’d suggest listening to it regardless, for that matter).

Thanks for understanding. If there’s more explanation needed, you can observe below (yes, another Noah pic):

1136669002_9a841d8f80.jpg

Thanks so much for listening!

FacebooktwitterredditpinterestlinkedintumblrFacebooktwitterredditpinterestlinkedintumblr

IPSC Live-Blog, Part 3

I reproduce below my notes from a number of presentations. Alas, I’ve been pulled in several directions the last few days so I produce these notes on an “as-is” basis; I hope that you find them useful.

A young boy who misses his dad awaits, so I must sign off from IPSC here. I’ve been impressed with the quality and breadth of the in-progress work that I’ve seen here, and as always am inspired by my colleagues. They are also an exceptionally nice bunch of people with whom to spend a few days, and I’m lucky to have such colleagues. Thanks to DePaul for hosting the event (I really need to spend more time in Chicago), and I look forward to next year’s conference at Stanford!

Elizabeth Townsend Gard, Tulane — focus on difficulty of determining copyright duration for older works. Vera Brittain — what is the status of this UK author’s work? The duration regime is insane and very difficult to ascertain, esp. with foreign works. When you get into the details of copyright, you find that duration is quite long.

Assaf Jacob, Herzliya Radzyner ScHool of Law — Reconsidering Work Made for Hire Doctrine — when deciding c ownership issues that are based on work made for hire and defining employee and scope of employment, the USSC has hewn too close to tort law and away from copyright. Why did USSC adopt agency test? unformity, certainty, predictability. Shape in light of an economic paradigm. Incentives and access. During c term: physical accessibility, ease of locating and contacting, transaction costs; post c protection: term of protection, ease of access. Reason that the status of the work cannot change is because of interest of third parties.

Mark Schultz, SIU: Can Live Performance Save Rock and Roll? If there are rising costs of the production of rock music, why is there live music? Relying on live music for revenue and survival is possible, but trouble is that musicians will be in a footrace with rising costs of live performance. Tech plus c = opt out of the footrace.

Miriam Britton, Boalt — Many Patents on Information — facts, abstract ideas are expanding — early law did not allow info to be patentable b/c not machine, etc. even in 20th century, they served as info gatekeepers. abstract ideas, natural phenomena, laws of nature not patentable in 1850s — mental steps, printed matter, business methods — why exclude info? major reason is that they are fundamental building blocks for creation of new knowledge, need for application not apparent, can’t be propertized, no need for incentives — State Street Bank case allowed for expansion of patentability to business methods. Why focus on invention’s end result? Court may revisit patentable subject matter. CAFC may develop alternatives: Patent law not designed to acomodate inforamtional inventions, resurrecting and definig “technical arts” test.

Mary Wong, Franklin Pierce — Re-examining basic concepts: do we want to protect user-generated content (UGC)? Can some form of UGC move beyond fair use and become user rights? Does international law need to be changed? Does “recast, transform, adapt” = originality = transformative? Does preparing a derivative work require copying (incorporation) of the underlying work? Does infringing work need to be fixed? Concl: fair use excuses infringement of the reproduction/derivative work right, an excused, transformative derivative work is original but c only if also fixed, excused, non-trans derivativ work is not c because it is not original, regardless of whether its fixed. Gowers Review: US fair use broader than UK fair dealing. UK and Canada do not have broad derivate works rights. US law may find some UGC non-infringing. Fair use is carrying too heavy a burden in US, so look to authorship. When UGC contributes to goals of c, should be protected.

Ned Snow, U. Ark. — “Copy-speech” — Strict liability for unprotected speech violates First Amendment because it chills some legit speech, and “copy-speech” (i.e., public domain, fair use and permission) is impacted. Chilling effect of strict liability has spillover effect.

FacebooktwitterredditpinterestlinkedintumblrFacebooktwitterredditpinterestlinkedintumblr

Show #46 — Larry Downes — posted and where I’ll be

I am pleased to post Show #46, my interview with Adjunct Prof. Larry Downes of U.C. Berkeley School of Information (and CIS Non-Resident Fellow) on business innovation. The genesis of this show was Larry’s blog post regarding parallels between the industrial and Internet revolutions. We discussed this post as well as the larger questions of whether the industrial revolution is indeed the proper comparator to our current changes. Larry is a great guest and scholar, so I hope that you enjoy the show!

Also, I’ll return to live-blogging next week at the Intellectual Property Scholars Conference, an amazing and extremely valuable conference for IP folks to present their works-in-progress and get feedback from their colleagues. I have been consistently impressed at how supportive the IP prof community is of new profs, and am grateful for their anticipated feedback on my current (very early) work-in-progress, “Incentivizing Government: The People’s Trade Secrets”. Of course, I welcome any comments from anyone who wants to take the time; you can email me at dave@hearsayculture.com.

Live-blogging will also allow me to pay closer attention and maybe offer some comments of my own. Unfortunately, since there are parallel sessions going for most of the conference, I will be unable to cover every presentation. I also intend to follow-up with some people about being guests on the show. So it will be a busy few days!

I’ll cross post the live-blog on my blog on the CIS website. Hope you find it useful!

FacebooktwitterredditpinterestlinkedintumblrFacebooktwitterredditpinterestlinkedintumblr

Hearsay Culture Show #33 — Prof. Josh Lerner — posted

I am pleased to post Show #33, my interview with Prof. Josh Lerner of Harvard Business School, discussing his co-authored book “Innovation and Its Discontents.”

It is easy as a lawyer, and one in legal academia, to cloister oneself within the same world of your own disclipline or range of interests. While I may cloister myself as I write this post, plugging away on the computer even as all around me are engaged in conversation (yes, I want to post ASAP!), I have attempted to not cloister myself in the realm of this show. So I was excited to have Josh on the show, and discuss with an economist the rules and impacts of patent regulation. Josh, as is evident from the dustjacket of the book, pulls no punches in his criticism of the patent regime in the United States. He similarly calls out what he sees as major problems with the patent system as currently constructed — from the broad ambit of its application to the failures of the PTO to patent that which should not pass a prior art test — in the interview. So I hope that you enjoy the discussion, and as always, I welcome feedback.

Yet again, I am challenged to identify patent law music. So here’s what I came up with:

(1) When I Paint My Masterpiece/The Band/Greatest Hits
(2) Yea! Heavy And A Bottle Of Bread/Bob Dylan & The Band/The Basement Tapes [Disc 2]
(3) What is and Should Never Be/Led Zeppelin/BBC Sessions [Disc 1] [Live]
(4) Lawyers, Guns And Money/Warren Zevon/Genius: The Best Of Warren Zevon

Here, you may need to get into the lyrics to see any (if there is any) connection. Regardless, enjoy!

FacebooktwitterredditpinterestlinkedintumblrFacebooktwitterredditpinterestlinkedintumblr

Live Blogging IP Counterfactuals at MSU Law, Installment One

I figure that I’ll take my first shot at live-blogging, having been inspired by the Bay Area Blawgers event on Wednesday at Santa Clara [thanks to Prof. Eric Goldman of Santa Clara Law School for setting it up]. The target of this experiment is the conference at MSU Law, “What Ifs and Other Alternative Intellectual Property and Cyberlaw Stories”. I am not a fast enough typist to cover everything, so the disclaimers (and as a litigator, there must always be disclaimers) are that I am not covering everything (or indeed every talk), and may not even hit all of the points raised by the speakers. This is also stream-of-consciousness blogging and not a transcript; reflection on my text displaced by the need for speed — what is live-blogging if I post it a day later (is an hour too long?) So any and all misrepresentations of any points raised are my fault, and I specifically blame myself for never taking a typing class. Finally, I am skipping the names of the speakers for brevity’s sake; they are not nameless professors, of course, and you can find all of their names on the conference webpage. Enough caveats and disclaimers for you? Enough to undermine the exercise’s usefulness perhaps, but my live and published experiment is about set to begin.

Before this, I should add a humorous note. Prof. Peter Yu, the host of the conference, is using his computer to monitor time (which will make it much easier for moderators like me). His computer verbally announces a two minute warning, and at the end of each speaker’s time, says “Your time is up. Please stop.” Hearing a machine voice order humans to stop speaking and communicating with each other — and those humans actually following the command — is humorously unsettling.

The first panel is discussing “Free Speech, Privacy and Virtual Reality.” The antecedents of the right to privacy are discussed, raising the question of whether Samuel D. Warren’s daughter’s nuptuals impacted its development; the conclusion: privacy right would have developed regardless of these events. Virtual reality and its augmentation is discussed next — the question of “virtual occlusion” and the repurcussions of such actions (like what I’m doing right now) in the real sphere. Can one opt out of tech progress? “Wikiality” — a new word for me — is introduced. What if people could post data on your real space, like your house? This is happening in flickr, where people can mark pictures loaded onto a page. So, like much of IP law, the question turns to control. Who (or what) is to control when the “virtual displaces the real?” [I’d say, ask Linden — how far can the code go?] Lastly, what if Congress and Supreme Court were tech-savvy in 1995? It is suggested that the explosion of pornography on the Internet would have been impeded were these entities more sophisticated at the time. The courts’ description of the Internet has influenced its creation.

Next up is patents, which is in the unfortunate position of following a discussion on porn from the previous panel [alas, logistics prevented live blogging of that first talk]. First what-if: what if patents were not published? Publishing is a great source of prior art, but the concern is the content of the patents. We need incentives for applicants to include more non-patent references. Finding references outside the patent system would be a useful outcome. What is the role of patents as prior art? Create network that allows for greater disclosure. [A lack of all relevant info such as to allow for full evaluation of patent applications is a concern, as is transparency in IP].

Business method patents is discussed next. Are “user innovators less likely to need patent incentive to invent?” They are more likely to invent based upon first-mover advantages. What if there was a business method use exemption? Benefits: (a) focuses on concern about exclusive control, (b) neutralize trivial patents; con: more trade secrecy?

Here’s an interesting question, next: what if the GPL (w/o royalties, allow derivatives, provide source code, licensing under GPL) has been patented? Could not have been done in 1991, because no business method patent regime. This is the only impediment to its patentability in 1991. But in fact there are patent applications for GPL licensing, but none have issued thusfar. Biotech is next: Patenting seed has not incentivized innovation. Development of new seeds has happened for many reasons, and patenting is just one. Lastly, what if economists ran the PTO (they don’t?) Economists at FTC are encouraging similar reforms to system as Jaffe & Lerner in Innovation and Its Discontents [note: I just interviewed Josh Lerner; show will be posted very soon]. FCC economists have done well importing “ivory tower theory” into policy. Auctioning spectrum worked; and they thought about the type of auction, fighting collusion. “PTO has barred the doors to economists.” Academic economists are barred, because they are a “threat to their way of life.”

Last patent presentation: “What if Joe Meigs Wrote the Non-Obviousness Statute?” Few in the room, including me, know who Joe Meigs is. Sec. 103(a) is vacuous; indeed, the last sentence protects dumb luck, obviousness is not explained (i.e., you figure it out). Here’s a statement to help us with obviousness: “The best test of what persons of routine ingenuity can do is what they have done.” (Automatic Devices Corp. v. Cuno Eng’g Corp., Hand, J.) Who is Joe Meigs? He proposed, in 1948 to Congress, that obviousness is a question of fact, proof of non-obviousness is found if, among other conditions, it fills a long-felt want. Advantages: it encourages people to fill long-felt wants, defy conventional wisdom in the art. Not-hindsight prone, and encourages stronger narratives that would be pulled into the “long-felt wants” story. But Meigs did not author 103(a).

OK, well now its time for lunch. I am moderating the copyright panel after lunch, so I won’t be blogging for a while. Hope this is useful!

FacebooktwitterredditpinterestlinkedintumblrFacebooktwitterredditpinterestlinkedintumblr

show #32 — prof. eric goldman — posted

I am pleased to post Show #32, my interview with Asst. Prof. Eric Goldman of Santa Clara Law School (SCLS), and Academic Director of the High Tech Law Institute at SCLS.

As I mentioned on the show, trademark law is a new topic for Hearsay Culture. And yet, as Eric ably demonstrated, it should not be a stranger to us. As Eric mentioned on his blog post regarding the show, we went into some detail regarding several areas of interest, namely domain name registration, on-line marketing and trademark law, and anti-adware laws. As always, Eric’s comments and observations were both insightful and thought-provoking, and I thoroughly enjoyed interviewing Eric. I might add, as I’ve gotten to spend some time with him at conferences (both driving to and attending them), that he’s a very nice guy to boot.

So I hope that you enjoy Show #32!

Yet again, I have been musically challenged: trademark music? So here’s the playlist, and like Bob Dylan, I’ll just throw it out there and you decide what it means . . .

(1) Search/String Cheese Incident/Outside Inside
(2) Lotus Flower/McCoy Tyner Big Band/Uptown / Downtown (Live at the Blue Note)
(3) Crepuscule With Nellie (Take 6)/Thelonious Monk/Monk’s Music
(4) Strode Rode/Sonny Rollins/Saxophone Colossus

FacebooktwitterredditpinterestlinkedintumblrFacebooktwitterredditpinterestlinkedintumblr

Show #31 — Prof. Richard Epstein — posted and schedule update

I am pleased to post the audio for my interview with Prof. Richard Epstein of the University of Chicago Law School and the Hoover Institution.

It is a rare treat to be able to interview someone who has influenced my thinking, and indeed whom I read even before I went to law school (as frightening as that may be). Richard was a terrific person to interview, and the conversation ranged from discussion of fair use to the need for patent reform. The focus of the interview was a report that Richard authored for the Manufacturing Institute entitled “Intellectual Property for the Technological Age.” A pdf version of the report can be found on the National Association of Manufacturing website here. I don’t agree with the entire report, but regardless, it is an impressive, cogent and readable critique of much of the current intellectual property regime. While Richard would keep more of the current system in place than I would, I learned from the report and commend anyone who is looking to learn about IP, or seeking the insight of one of the legal giants of the last 30+ years on our IP regime.

Of course, I tried to pick appropriate songs for one who is alternatively called a libertarian and/or a “classic liberal”:

(1) If You Love Somebody Set Them Free/Sting/Dream of the Blue Turtles
(2) Boulevard/Jackson Browne/Hold Out
(3) Living On a Thin Line/The Kinks/Come Dancing With the Kinks – the Best of the Kinks
(4) Ob-La-Di, Ob-La-Da/The Beatles/The Beatles (White Album)

Thanks Richard for being on Hearsay Culture, and I hope that everyone enjoys the interview!

Finally, last but not least, I’ve added to the schedule with a great group of guests, now posted to July 4.

FacebooktwitterredditpinterestlinkedintumblrFacebooktwitterredditpinterestlinkedintumblr